Ryan Netzley is Professor of English at Southern Illinois University, Carbondale. He is also the editor of Marvell Studies. His research focuses on Renaissance lyric poetry, critical and poststructuralist theory, poetics and reading practices, and Reformation theology. Continue reading
Author Archives: ranetzley
Lyric Apocalypse
Lyric Apocalypse: Milton, Marvell, and the Nature of Events is available via Fordham University Press’s site. Reviews have appeared in Renaissance and Reformation, Renaissance Quarterly, Milton Quarterly, SEL: Studies in English Literature, Literature and Theology, and the Andrew Marvell Newsletter.
News and Events
- April 2021: The most recent issue of Marvell Studies (vol. 6, no. 1) has just appeared. It contains an essay by Alex Garganigo on the reception and adaptation of “To His Coy Mistress” in science fiction and fantasy since 1950. In addition, this issue contains reviews of Patrick McGrath’s Early Modern Asceticism (by Daniel Juan Gil) and Steven Zwicker’s John Dryden: Selected Writings (by Ryan Hackenbracht).
- Video link to “Illuminating the Word: The Devotional Tradition and the Future of Poetry,” a symposium on devotional lyrics at Brigham Young University, 20-21 November 2014. My paper, “Religious Formalism,” is part of the first panel on early modern devotional lyrics.
Reading, Desire, and the Eucharist
Reading, Desire, and the Eucharist in Early Modern Religious Poetry (2011) is available via the University of Toronto Press. It’s been reviewed in the following journals: Modern Philology, Year’s Work in English Studies, Seventeenth-Century News, Journal for Early Modern Cultural Studies, and Divinity Magazine.
Acts of Reading
Acts of Reading: Interpretation, Reading Practices, and the Idea of the Book in John Foxe’s Actes and Monuments, co-edited with Thomas P. Anderson, is available from the University of Delaware Press, via Rowman and Littlefield. Contributors to the volume explore the relationship between digital and early modern texts and their impact on reading practices. It’s been reviewed in Prose Studies, SEL, Renaissance Quarterly, and Renaissance and Reformation.